! List of mode names.

! (Manuel Op de Coul)

!

! number of names: 447

!

! a number between [] indicates another starting note than the implicit

! degree 0.

!

! 7 tone modes:

1 1 2 1 2 Thai mode 1

1 2 1 2 1 Thai mode 2

2 1 1 2 1 Thai mode 6

!

! 7 tone modes of pelog:

1 1 2 1 2 Patet Lima, Patet Nem, Jawar, Selisir

[1] 1 2 1 1 2 Patet Barang

1 2 1 1 2 Patet Lima, Nem with Pelog

[1] 1 1 2 1 2 Patet Barang with Pelog, Manangis

[3] 1 1 2 1 2 Liwung

[4] 1 1 2 1 2 Nyorog, Tembung

[5] 1 1 2 1 2 Nyorog handap, Sunaren

2 1 1 2 1 Pelog

1 3 1 1 1 Dangsoe

1 2 1 2 1 Bem

2 1 2 1 1 Miring

1 1 1 3 1 Menjoera

[2] 1 1 2 1 2 Baro

!

! 12 tone modes:

4 3 5 Raga Malasri

1 5 1 5 Messiaen's truncated mode 5

5 1 5 1 Messiaen's truncated mode 5 inverse

2 4 2 4 Messiaen's truncated mode 6

4 2 4 2 Messiaen's truncated mode 6 inverse

2 3 4 3 Raga Bhavani

2 3 2 5 Raga Viravasantam, Genus primum

2 3 2 1 4 Han‑kumoi: Japan

2 1 4 1 4 Hira‑joshi: Japan

1 4 2 1 4 Hon‑kumoi‑joshi, Sakura: Japan, Raga Salanganata, Raga Saveri

1 4 2 3 2 Kokin‑joshi, In‑sen: Japan, Raga Vibhavari (Revati)

1 4 1 4 2 Iwato: Japan

2 3 2 2 3 Ritusen: Japan, Raga Devakriya, Durga, Suddha Saveri, Arabhi, Scottish pentatonic

2 2 3 2 3 Major pentatonic, Ryosen: Japan, Raga Bhopali (Bhup), Mohana

2 3 2 3 2 Yo: Japan, Suspended pentatonic, Raga Madhyamavati

1 4 2 2 3 Altered pentatonic

2 1 2 4 3 Raga Abhogi

4 2 1 4 1 Raga Amritavarsini

4 1 4 2 1 Raga Bhinna Shadja

1 2 4 1 4 Balinese Pelog, Raga Bhupala, Raga Bibhas

3 2 4 2 1 Raga Chandrakauns (modern), Raga Marga Hindola

2 3 2 4 1 Raga Desh

5 2 1 3 1 Raga Devaranji

3 2 2 3 2 Minor pentatonic, Raga Dhani (Suddha Dhanyasi)

4 1 2 4 1 Raga Gambhiranata

1 4 2 4 1 Raga Gauri

2 2 3 4 1 Raga Hamsadhvani

2 2 2 5 1 Raga Kumurdaki

3 2 3 2 2 Raga Malkauns (Malakosh), Hindola

2 5 2 1 2 Raga Matha Kokila

1 3 1 3 4 Raga Megharanjani

1 3 1 6 1 Raga Megharanji

3 3 1 4 1 Raga Multani

1 1 4 1 5 Raga Nabhomani

4 1 2 2 3 Raga Nagasvaravali

3 2 2 4 1 Raga Nata, Raga Udayaravicandrika

4 2 3 2 1 Raga Hindol (Sunada Vinodini)

2 1 2 2 5 Raga Purnalalita

5 2 2 2 1 Raga Puruhutika

1 3 3 1 4 Raga Reva, Ramkali

1 5 1 1 4 Raga Saugandhini

2 1 4 2 3 Raga Sivaranjini, Akebono I: Japan, Dorian pentatonic

4 3 2 1 2 Raga Valaji

2 2 3 3 2 Dominant pentatonic

4 1 2 3 2 Mixolydian pentatonic

3 2 2 2 3 Minor added sixth pentatonic

2 2 2 2 2 2 Whole‑tone, Messiaen's mode 1, Raga Gopriya

2 3 2 2 1 2 Pyongjo: Korea, Raga Darbar

2 2 2 3 1 2 Prometheus

1 3 2 3 1 2 Prometheus Neapolitan

3 2 1 1 3 2 Blues scale I

1 2 2 3 2 2 Ritsu: Japan, Raga Suddha Todi

2 2 1 2 2 3 Arezzo Major Diatonic Hexachord, Raga Kambhoji, Devarangini

2 1 2 2 3 2 Minor hexatonic, Raga Palasi, Manirangu

2 1 2 4 1 2 Raga Bagesri, Sriranjani

1 3 3 1 3 1 Raga Bauli

3 1 1 2 3 2 Raga Bhanumanjari

1 2 3 2 2 2 Raga Bhavani

2 3 2 1 3 1 Raga Bhinna Pancama

2 2 2 1 4 1 Raga Caturangini

1 1 4 1 2 3 Raga Chandrajyoti

1 3 2 1 1 4 Raga Dhavalangam

2 2 1 1 1 5 Raga Dipak

1 3 1 2 4 1 Raga Gaula

2 1 2 3 3 1 Raga Ghantana

3 2 2 1 2 2 Raga Gopikavasantam

1 2 3 2 3 1 Raga Gurjari Todi

1 3 2 3 2 1 Raga Hamsanandi, Raga Marva, Raga Pancama

2 2 1 4 2 1 Raga Hamsa Vinodini

4 1 2 2 2 1 Raga Hari Nata, Genus secundum

1 3 2 2 1 3 Raga Hejjajji

2 4 1 1 2 2 Raga Jaganmohanam

1 4 2 2 2 1 Raga Jivantika

3 3 1 3 1 1 Raga Jivantini

4 2 1 1 2 2 Raga Jyoti

2 1 3 1 4 1 Raga Kaikavasi

1 3 3 1 1 3 Raga Kalagada

1 4 2 1 1 3 Raga Kalakanthi

1 3 1 2 2 3 Raga Kalavati, Ragamalini

4 1 2 2 1 2 Raga Khamas

2 2 3 2 2 1 Raga Kumud

1 3 1 3 3 1 Raga Lalita, Sohini (Hamsanandi)

2 2 3 1 3 1 Raga Latika

3 3 1 2 1 2 Raga Madhukauns

2 4 1 3 1 1 Raga Malarani (Hamsanada)

1 3 3 2 1 2 Raga Malayamarutam

2 1 4 2 1 2 Raga Manavi

1 3 2 1 4 1 Raga Mandari

3 2 2 2 1 2 Raga Manohari

2 2 2 3 2 1 Raga Mruganandana

2 3 2 2 2 1 Raga Nagagandhari

2 2 1 2 4 1 Raga Nalhinakanti

2 3 2 1 2 2 Raga Navamanohari

1 4 2 1 3 1 Raga Padi

4 1 2 1 3 1 Raga Paraju

1 4 2 1 2 2 Raga Phenadyuti

1 3 1 2 1 4 Raga Purna Pancama, Malahari

2 2 1 4 1 2 Raga Rageshri (Rageshwari)

2 1 3 3 2 1 Raga Ranjani

3 1 2 1 4 1 Raga Rasamanjari

1 4 2 2 1 2 Raga Rasavali

1 3 1 4 1 2 Raga Rudra Pancama

2 3 2 3 1 1 Raga Sarang

2 4 1 2 1 2 Raga Sarasvati

4 1 2 1 1 3 Raga Saravati

2 1 3 1 3 2 Raga Simharava

2 1 2 2 4 1 Raga Sindhura Kafi

2 2 1 2 3 2 Raga Siva Kambhoji

2 1 2 2 2 3 Raga Suddha Bangala

1 2 2 2 1 4 Raga Suddha Simantini

2 1 3 1 1 4 Raga Syamalam

3 2 2 1 3 1 Raga Takka

4 1 2 3 1 1 Raga Tilang

1 3 1 4 2 1 Raga Vasanta

1 3 2 3 2 2 Raga Vasantabhairavi

2 1 3 1 2 3 Raga Vijayanagari

1 2 3 1 4 1 Raga Vijayasri

4 2 1 3 1 1 Raga Vijayavasanta

2 2 2 1 2 3 Raga Yamuna Kalyani

1 1 4 1 1 4 Messiaen's mode 5

4 1 1 4 1 1 Messiaen's mode 5 inverse

1 3 1 3 1 3 Messiaen's truncated mode 3

3 1 3 1 3 1 Messiaen's truncated mode 3 inverse, Augmented scale, Genus tertium

1 2 3 1 2 3 Messiaen's truncated mode 2

1 3 2 1 3 2 Messiaen's truncated mode 2

! G = Greek, M = Medieval (ecclesiastical)

1 2 2 1 2 2 2 G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian

2 2 1 2 2 2 1 G.Lydian, M.Ionian, M.Hypolydian, Bilaval That, Mela Shankarabharanam, Major

2 1 2 2 2 1 2 G.Phrygian, M.Dorian, M.Hypomixolydian, Kafi That, Mela Kharaharapriya

1 2 2 2 1 2 2 G.Dorian, M.Phrygian, M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Major inverse

2 2 2 1 2 2 1 G.Hypolydian, M.Lydian, Kalyan That (Yaman), Mela Mecakalyani, Chinese heptatonic

2 2 1 2 2 1 2 G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, M.Hypoionian, Khamaj That, Mela Harikambhoji

2 1 2 2 1 2 2 G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Asavari That, Mela Nathabhairavi, Natural Minor

1 1 3 1 1 3 2 Chromatic Mixolydian

1 3 1 1 3 2 1 Chromatic Lydian, Raga Lalit

3 1 1 3 2 1 1 Chromatic Phrygian

1 1 3 2 1 1 3 Chromatic Dorian, Mela Kanakangi

1 3 2 1 1 3 1 Chromatic Hypolydian, Purvi That, Mela Kamavardhani, Raga Shri, Pantuvarali

3 2 1 1 3 1 1 Chromatic Hypophrygian

2 1 1 3 1 1 3 Chromatic Hypodorian

2 3 1 1 3 1 1 Chromatic Mixolydian inverse

1 1 2 3 1 1 3 Chromatic Phrygian inverse

1 1 3 1 1 2 3 Chromatic Hypophrygian inverse

3 1 1 3 1 1 2 Chromatic Hypodorian inverse

2 1 2 2 2 2 1 Melodic Minor ascending, Mela Gaurimanohari, Jazz Minor

2 1 2 2 1 3 1 Harmonic Minor, Spanish gipsy, Mela Kiravani, Pilu That

1 3 1 2 2 1 2 Harmonic Minor inverse, Mela Cakravana, Raga Ahir Bhairav

2 2 1 2 1 3 1 Harmonic Major, Mela Sarasangi

1 2 1 3 1 2 2 Phrygian Flat 4

2 2 2 2 1 2 1 Lydian Augmented

2 2 1 1 2 2 2 Major Locrian

2 1 2 1 2 2 2 Minor Locrian, Half Diminished, Locrian sharp 2

1 2 1 2 2 2 2 Super Locrian, Altered, Diminished Whole‑tone

1 1 3 2 1 2 2 Mela Ratnangi

1 1 3 2 1 3 1 Mela Ganamurti

1 1 3 2 2 1 2 Mela Vanaspati

1 1 3 2 2 2 1 Mela Manavati

1 1 3 2 3 1 1 Mela Tanarupi

1 2 2 2 1 1 3 Mela Senavati

1 2 2 2 1 3 1 Neapolitan Minor, Mela Dhenuka

1 2 2 2 2 2 1 Neapolitan Major, Mela Kokilapriya

1 2 2 2 2 1 2 Mela Natakapriya, Jazz Minor inverse, Phrygian sharp 6

1 2 2 2 3 1 1 Mela Rupavati

1 3 1 1 2 3 1 Raga Lalita, Chromatic Hypolydian inverse, Raga Suddha Pancama

1 3 1 2 1 1 3 Mela Gayakapriya

1 3 1 2 1 2 2 Mela Vakulabharanam, Alhijaz: Arabic, Harmonic Major inverse

1 3 1 2 1 3 1 Major Gipsy, Persian, Double Harmonic, Bhairav That, Mela Mayamalavagaula

1 3 1 2 2 2 1 Mela Suryakanta, Bhairubahar That

1 3 1 2 3 1 1 Mela Hatakambari

2 1 2 1 1 3 2 Modified Blues

2 1 2 2 1 1 3 Mela Jhankaradhvani

2 1 2 2 3 1 1 Mela Varunapriya

2 2 1 2 1 1 3 Mela Mararanjani

2 2 1 2 1 2 2 Mela Carukesi, Fifth mode of Melodic Minor

2 2 1 2 3 1 1 Mela Naganandini

3 1 1 2 1 1 3 Mela Yagapriya

3 1 1 2 1 2 2 Mela Ragavardhani

3 1 1 2 1 3 1 Mela Gangeyabhusani

3 1 1 2 2 1 2 Mela Vagadhisvari

3 1 1 2 2 2 1 Mela Sulini

3 1 1 2 3 1 1 Mela Calanata, Chromatic Dorian inverse

1 1 4 1 1 1 3 Mela Salaga

1 1 4 1 1 2 2 Mela Jalarnava

1 1 4 1 1 3 1 Mela Jhalavarali

1 1 4 1 2 1 2 Mela Navanitam

1 1 4 1 2 2 1 Mela Pavani

1 1 4 1 3 1 1 Mela Raghupriya

1 2 3 1 1 1 3 Mela Gavambodhi

1 2 3 1 1 2 2 Mela Bhavapriya

1 2 3 1 1 3 1 Todi That, Mela Shubhapantuvarali, Chromatic Lydian inverse

1 2 3 1 2 1 2 Mela Sadvidhamargini

1 2 3 1 2 2 1 Mela Suvarnangi

1 2 3 1 3 1 1 Mela Divyamani

1 3 2 1 1 1 3 Mela Dhavalambari

1 3 2 1 1 2 2 Mela Namanarayani

1 3 2 1 2 1 2 Mela Ramapriya

1 3 2 1 2 2 1 Marva That, Mela Gamanasrama

1 3 2 1 3 1 1 Mela Visvambhari

1 3 2 2 2 1 1 Enigmatic

2 1 3 1 1 1 3 Mela Syamalangi

2 1 3 1 1 2 2 Mela Sanmukhapriya

2 1 3 1 1 3 1 Minor Gipsy, Mela Simhendramadhyama

2 1 3 1 2 1 2 Mela Hemavati

2 1 3 1 2 2 1 Mela Dharmavati

2 1 3 1 3 1 1 Mela Nitimati

2 2 2 1 1 1 3 Mela Kantamani

2 2 2 1 1 2 2 Lydian Minor, Mela Risabhapriya

2 2 2 1 1 3 1 Mela Latangi

2 2 2 1 2 1 2 Lydian Dominant, Mela Vacaspati, Overtone

2 2 2 1 3 1 1 Mela Citrambari

2 3 2 2 1 1 1 Raga Sorati

3 1 2 1 1 1 3 Mela Sucaritra

3 1 2 1 1 2 2 Mela Jyotisvarupini

3 1 2 1 1 3 1 Mela Dhatuvardhani

3 1 2 1 2 1 2 Hungarian Major, Mela Nasikabhusani

3 1 2 1 2 2 1 Mela Kosalam

3 1 2 1 3 1 1 Mela Rasikapriya

4 1 2 2 1 1 1 Raga Madhuri

1 3 1 1 3 1 2 Oriental

2 2 2 2 2 1 1 Leading Whole‑tone

2 1 3 1 1 1 1 2 Raga Cintamani

2 1 2 2 2 1 1 1 Raga Mian Ki Malhar

2 1 2 2 1 1 1 2 Raga Mukhari

1 3 1 1 1 1 3 1 Raga Ramkali

1 3 1 2 1 1 2 1 Raga Saurastra

2 1 1 1 2 2 1 2 Minor Bebop, Raga Zilla

2 2 1 2 2 1 1 1 Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar

2 2 1 2 1 1 2 1 Major Bebop

2 1 2 2 1 1 2 1 Zirafkend: Arabic

2 1 2 1 1 2 1 2 Blues scale II

1 2 1 1 2 1 2 2 Spanish Phrygian

1 2 1 1 1 2 2 2 Eight‑tone Spanish

2 1 2 1 2 1 2 1 Diminished, Messiaen's mode 2 inverse, Whole‑Half step scale

2 2 1 1 1 2 2 1 Ishikotsucho: Japan, Raga Yaman Kalyan

1 2 1 2 2 1 2 1 Magen Abot mode

1 2 1 2 1 2 1 2 Octatonic, Messiaen's mode 2, Dominant Diminished, Half‑Whole step scale

1 1 1 3 1 1 1 3 Messiaen's mode 4

3 1 1 1 3 1 1 1 Messiaen's mode 4 inverse

1 1 2 2 1 1 2 2 Messiaen's mode 6

2 2 1 1 2 2 1 1 Messiaen's mode 6 inverse

1 1 2 1 1 2 1 1 2 Messiaen's mode 3, Tsjerepnin

2 1 1 2 1 1 2 1 1 Messiaen's mode 3 inverse

2 1 2 2 1 1 1 1 1 Raga Pilu

2 1 1 1 2 2 1 1 1 Raga Ramdasi Malhar

2 2 1 1 1 2 1 1 1 Taishikicho: a mode of "rock boxes"

1 2 1 1 2 1 1 2 1 Genus chromaticum

1 1 1 1 2 1 1 1 1 2 Messiaen's mode 7

2 1 1 1 1 2 1 1 1 1 Messiaen's mode 7 inverse

2 1 1 1 2 1 1 1 1 1 Major/Minor mixed

2 1 1 1 1 1 2 1 1 1 Minor pentatonic with leading tones

1 1 1 1 1 1 1 1 1 1 1 1 Twelve‑tone Chromatic

!

! 13 tone modes of Bohlen‑Pierce scale: 13th root of 3

2 1 2 1 1 2 1 2 1 Delta

1 2 1 2 1 1 2 1 2 Delta inverse

1 2 1 2 1 1 2 2 1 Gamma

1 2 2 1 1 2 1 2 1 Gamma inverse

1 2 1 2 1 2 1 2 1 Pierce

!

! 15 tone equal modes:

1 2 1 2 1 2 1 2 1 2 Blackwood

3 2 1 3 2 3 1 Fifteen‑tone Major

3 1 2 3 1 3 2 Fifteen‑tone Minor

!

! 16 tone equal mode:

2 2 2 1 2 2 2 2 1 Goldsmith

!

! 17 tone modes of Arabic Pythagorean scale:

! 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2

! 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

!

3 3 1 3 3 1 3 Safi al‑Din's maqam `Ussaq

3 1 3 3 1 3 3 Safi al‑Din's maqam Nawa

1 3 3 1 3 3 3 Safi al‑Din's maqam Abu Salik

3 2 2 3 2 2 3 Safi al‑Din's maqam Rast

2 3 2 2 3 2 2 1 Safi al‑Din's maqam `Iraq

3 2 2 3 2 2 2 1 Safi al‑Din's maqam Isfahan

2 2 3 2 2 1 3 2 Safi al‑Din's maqam Zirafkand

2 3 2 2 1 3 2 2 Safi al‑Din's maqam Buzurk

3 2 2 2 3 2 3 Safi al‑Din's maqam Zankulah

2 3 2 2 2 3 3 Safi al‑Din's maqam Rahawi

2 2 3 2 2 3 3 Safi al‑Din's maqam Husaini

2 2 3 2 3 2 3 Safi al‑Din's maqam Higazi

1 2 1 1 1 1 1 2 1 1 1 1 1 2 al‑Kindi's mode

1 2 1 2 1 1 2 1 2 1 3 Ishaq al‑Mausili's mode

!

! 19 tone modes:

5 4 5 5 Four out of 19

4 4 4 4 3 Five out of 19

3 3 3 3 3 4 Yasser's Hexad

3 3 2 3 3 3 2 Nineteen‑tone Major

3 2 3 3 3 3 2 Nineteen‑tone Melodic Minor

3 3 2 3 2 4 2 Nineteen‑tone Harmonic Major

3 2 3 3 2 4 2 Nineteen‑tone Harmonic Minor

2 3 2 2 3 2 2 3 Eight out of 19

2 2 3 2 2 2 2 2 2 Nine out of 19

2 2 1 2 2 2 2 2 2 2 Ten out of 19

2 1 2 2 2 1 2 2 2 1 2 Eleven out of 19

1 2 1 2 2 1 2 1 2 1 2 2 Twelve out of 19

1 2 2 1 2 1 2 1 2 2 1 2 Mean‑tone Chromatic (1/3‑comma)

2 1 2 1 2 1 2 1 2 1 2 1 1 Thirteen out of 19

1 2 1 1 2 1 1 2 1 1 2 1 2 1 Fourteen out of 19

!

! 20 tone equal mode:

2 3 2 2 2 3 2 2 2 Balzano

!

! 22 tone modes of Indian shruti scale:

! 256/243 16/15 10/9 9/8 32/27 6/5 5/4 81/64 4/3 27/20 45/32 729/512 (or 64/45)

! 3/2 128/81 8/5 5/3 27/16 16/9 9/5 15/8 243/128 2/1

!

4 3 2 4 4 3 2 Shadja Grama, Murcchana Uttaramandra

[20] 2 4 3 2 4 4 3 Murcchana Rajani

[17] 3 2 4 3 2 4 4 Murcchana Uttarayata

4 3 2 4 3 2 4 Murcchana Suddhasadja, Raga Harikambhoji, Palaiyazh

4 4 3 2 4 3 2 Murcchana Asvakranta

2 4 4 3 2 4 3 Murcchana Matsarikrita

3 2 4 4 3 2 4 Murcchana Abhirudgata, Raga Kafi

4 3 2 4 3 4 2 Madhyama Grama, Raga Bilaval, Murcchana Suddhamadhya

[20] 2 4 3 2 4 3 4 Murcchana Margavi

3 4 2 4 3 2 4 Murcchana Hrishyaka

4 3 4 2 4 3 2 Murcchana Sauviri, Raga Kalyan

2 4 3 4 2 4 3 Murcchana Harinasva

[4] 3 2 4 3 4 2 4 Murcchana Kalopanata

3 2 4 3 3 3 4 Gandhaara Grama (Sarngadeva der. sa‑grama)

3 2 4 3 2 4 4 Gandhaara Grama (Sarngadeva der. ma‑grama)

4 2 4 3 3 3 3 Gandhaara Grama (Narada der. sa‑grama)

4 2 4 3 2 4 3 Gandhaara Grama (Narada der. ma‑grama), Murcchana Pauravi

4 2 3 4 2 4 3 Gandhaara Grama (Damodara)

2 4 3 3 3 4 3 Gandhaara Grama (Somanatha)

!3 2 4 3 3 4 3 Gandhaara Grama (?)

4 2 3 4 2 3 4 Raga Asavari

2 6 1 4 2 6 1 Raga Bhairav

2 4 3 4 2 3 4 Raga Bhairavi

4 5 4 4 5 Raga Durga

4 3 6 7 2 Raga Hamsadhvani

2 3 4 4 2 3 4 Raga Kanakangi

4 3 2 4 4 1 4 Raga Khamaj

4 3 2 4 3 6 Raga Kambhoji

4 2 3 4 4 2 3 Raga Kharaharapriya

6 3 6 3 4 Raga Malkauns

2 5 4 2 4 3 2 Raga Marva

1 7 1 4 2 2 4 1 Raga Saurastra

2 7 4 1 8 Raga Saveri

3 6 4 3 6 Raga Suddha Malhar

6 3 4 2 5 2 Raga Takka

7 2 4 5 2 2 Raga Tilang

1 4 6 2 1 7 1 Raga Todi

1 4 7 1 1 6 2 Raga Varali

4 3 4 2 3 4 2 Raga Yaman

2 2 2 1 2 2 2 2 2 2 1 2 Modern Indian gamut

3 2 1 1 2 3 1 3 2 1 1 2 Old Indian gamut

!

! 22 tone mode of Tamil matra scale:

4 4 3 2 4 3 2 Seven‑tone gamut (saptaka)

!

! 22 tone equal modes:

2 2 3 2 2 2 3 2 2 2 Standard Pentachordal Major

2 2 3 2 2 2 2 3 2 2 Static Symmetrical Major

2 3 2 2 2 2 2 3 2 2 Alternate Pentachordal Major

2 3 2 2 2 2 3 2 2 2 Dynamic Symmetrical Major

2 2 2 3 2 2 2 2 2 3 Standard Pentachordal Minor

2 2 2 3 2 2 2 2 3 2 Static Symmetrical Minor

2 2 2 2 3 2 2 2 3 2 Alternate Pentachordal Minor

2 2 2 2 3 2 2 2 2 3 Dynamic Symmetrical Minor

4 1 4 4 1 4 4 Sub‑minor

4 4 1 4 4 4 1 Super‑major

4 3 3 3 3 3 3 Major quasi‑equal heptatonic

3 3 3 4 3 3 3 Minor quasi‑equal heptatonic

4 3 3 4 4 4 Harmonic whole‑tone

4 3 2 4 3 4 2 Twenty‑two tone Major

4 2 3 4 2 4 3 Twenty‑two tone Minor

!

! 24 tone modes:

1 1 8 1 1 8 4 Enharmonic Mixolydian

1 8 1 1 8 4 1 Enharmonic Lydian

8 1 1 8 4 1 1 Enharmonic Phrygian

1 1 8 4 1 1 8 Enharmonic Dorian

1 8 4 1 1 8 1 Enharmonic Hypolydian

8 4 1 1 8 1 1 Enharmonic Hypophrygian

4 1 1 8 1 1 8 Enharmonic Hypodorian

2 3 5 2 3 5 4 Soft Diatonic Mixolydian

3 5 2 3 5 4 2 Soft Diatonic Lydian

5 2 3 5 4 2 3 Soft Diatonic Phrygian

2 3 5 4 2 3 5 Soft Diatonic Dorian

3 5 4 2 3 5 2 Soft Diatonic Hypolydian

5 4 2 3 5 2 3 Soft Diatonic Hypophrygian

4 2 3 5 2 3 5 Soft Diatonic Hypodorian

3 3 4 3 3 4 4 Neutral Diatonic Mixolydian

3 4 3 3 4 4 3 Neutral Diatonic Lydian

4 3 3 4 4 3 3 Arabic Diatonic, Maqam Rast, Quasi‑equal heptatonic, Neutral Diatonic Phrygian

3 3 4 4 3 3 4 Neutral Diatonic Dorian

3 4 4 3 3 4 3 Maqam Sikah, Neutral Diatonic Hypolydian

4 4 3 3 4 3 3 Neutral Diatonic Hypophrygian

4 3 3 4 3 3 4 Miha'il Musaqa's mode: Egyptian, Neutral Diatonic Hypodorian

3 4 3 4 3 4 3 Mohajira

3 5 2 4 3 5 2 Athanasopoulos' Byzantine Liturgical Chromatic

1 5 4 4 1 5 4 Diatonic + Enharmonic Diesis Dorian

5 5 4 5 5 Quasi‑equal pentatonic

3 3 4 4 4 2 4 Maqam Bayati

3 3 2 6 2 4 4 Maqam Saba

4 3 3 4 2 6 2 Maqam Suznak

!

! 27 tone equal modes:

5 4 2 5 4 5 2 Twenty‑seven tone Major

5 2 4 5 2 5 4 Twenty‑seven tone Minor

!

! 31 tone equal modes:

2 3 3 2 3 2 3 2 3 3 2 3 Mean‑tone Chromatic (1/4‑comma)

5 5 3 5 5 5 3 Thirty‑one tone Major

5 3 5 5 5 5 3 Thirty‑one tone Melodic Minor

5 5 3 5 3 7 3 Thirty‑one tone Harmonic Major

5 3 5 5 3 7 3 Thirty‑one tone Harmonic Minor

5 8 5 13 Genus primum

10 3 5 5 5 3 Genus secundum

8 2 8 3 7 3 Genus tertium

10 10 10 1 Genus quartum

5 7 6 7 5 1 Genus quintum

4 6 2 6 4 3 3 3 Genus sextum

4 6 5 6 4 6 Genus septimum

6 6 6 1 6 6 Genus octavum

4 6 9 6 4 6 Genus nonum

13 6 6 6 Genus decimum

5 5 3 5 5 3 2 3 Genus diatonicum

3 5 2 3 5 3 2 5 3 Genus chromaticum

!

! 34 tone equal modes:

6 5 3 6 5 6 3 Thirty‑four tone Major

6 3 5 6 3 6 5 Thirty‑four tone Minor

!

! 36 tone equal modes:

2 2 11 2 2 11 6 Soft Chromatic Mixolydian

2 11 2 2 11 6 2 Soft Chromatic Lydian

11 2 2 11 6 2 2 Soft Chromatic Phrygian

2 2 11 6 2 2 11 Soft Chromatic Dorian

2 11 6 2 2 11 2 Soft Chromatic Hypolydian

11 6 2 2 11 2 2 Soft Chromatic Hypophrygian

6 2 2 11 2 2 11 Soft Chromatic Hypodorian

5 5 5 5 5 5 6 Equal Diatonic Mixolydian

5 5 5 5 5 6 5 Equal Diatonic Lydian

5 5 5 5 6 5 5 Equal Diatonic Phrygian

5 5 5 6 5 5 5 Equal Diatonic Dorian

5 5 6 5 5 5 5 Equal Diatonic Hypolydian

5 6 5 5 5 5 5 Equal Diatonic Hypophrygian

6 5 5 5 5 5 5 Equal Diatonic Hypodorian

!

! 41 tone equal modes:

7 6 4 7 6 7 4 Forty‑one tone Major

7 4 6 7 4 7 6 Forty‑one tone Minor

!

! 43 tone equal modes:

3 4 4 3 4 3 4 3 4 4 3 4 Mean‑tone Chromatic (1/5‑comma)

7 7 4 7 7 7 4 Forty‑three tone Major

7 4 7 7 4 7 7 Forty‑three tone Minor

!

! 46 tone equal modes:

8 7 4 8 7 8 4 Forty‑six tone Major

8 4 7 8 4 8 7 Forty‑six tone Minor

!

! 48 tone equal modes:

3 3 14 3 3 14 8 Hemiolic Chromatic Mixolydian

3 14 3 3 14 8 3 Hemiolic Chromatic Lydian

14 3 3 14 8 3 3 Hemiolic Chromatic Phrygian

3 3 14 8 3 3 14 Hemiolic Chromatic Dorian

3 14 8 3 3 14 3 Hemiolic Chromatic Hypolydian

14 8 3 3 14 3 3 Hemiolic Chromatic Hypophrygian

8 3 3 14 3 3 14 Hemiolic Chromatic Hypodorian

!

! 50 tone equal modes:

3 5 5 3 5 3 5 5 3 5 3 5 Mean‑tone Chromatic (2/7‑comma)

8 8 5 8 8 8 5 Fifty tone Major

8 5 8 8 5 8 8 Fifty tone Minor

!

! 53 tone equal modes:

9 8 5 9 8 9 5 Fifty‑three tone Major

9 5 8 9 5 9 8 Fifty‑three tone Minor

!

! 55 tone equal modes:

4 5 5 4 5 4 5 4 5 5 4 5 Mean‑tone Chromatic (1/6‑comma)

5 4 5 4 5 5 4 5 4 5 4 5 Sauveur's Musician's System

9 9 5 9 9 9 5 Fifty‑five tone Major

9 5 9 9 5 9 9 Fifty‑five tone Minor